Sunday, January 20, 2013

Seminar 2


The Parts of Speech Problem. Grammatical Classes of Words
Reading
1. Блох М. Я. Теоретическая грамматика английского языка. (Ch. IV, p. 37 – 48)
2. Блох М. Я. Теоретические основы грамматики. (Ч. 2, гл. 1 – 3, с. 50 – 80)
3. Хлебникова И. Б. Основы английской морфологии. (Ch. II, p. 18 – 27)
4. Ilyish B. The Structure of Modern English. (Ch. II, p. 27 – 35)

Points to discuss
1. The classical approach to the parts of speech problem.
2. The functional approach to the parts of speech problem.
3. The distributional approach to the parts of speech problem.
4. The complex approach to the parts of speech problem.

Questions for discussion
1. Define parts of speech. Can the term be considered a happy one?
2. Characterize the existing approaches to the parts of speech problem.
3. What does the classical approach consist in? What principle served as the basis of classification?
4. What is the essence of the functional approach?
5. What principle was H. Sweet’s classification based on?
6. How is O. Jespersen’s classification different from the classification worked out by H. Sweet?
7. Describe the structural approach. What methods did it rely on?
8. What principle lay in the basis of Ch. Fries’s classification? What were the substitution patterns? How many classes did Ch. Fries single out? How many groups of functional words?
9. What criteria are used by the adherents of the complex approach? What parts of speech are traditionally singled out?
10.What are the merits and demerits of the traditional classification of words into parts of speech?
11.What is the difference between notional classes and function words?
12.What results of the four approaches to the parts of speech problem coincide and what results differ?

Practice Assignment
Decide to what part of speech the underlined words may be assigned:

1. He is given sight only after dusk, when he can witness his captors and saviours. (M. Ondaatje)
2. They told him that it was in an old nunnery, taken over by the Germans, then converted into a hospital after the Allies had laid siege to it. (M. Ondaatje)
3. Mason ceased talking, waiting for the doctor to say something. (E. S. Gardner)
4. “They just want somebody to track him down. And you’re the somebody.” (L. Thomas)
5. The smell of the dead is the worst. (M. Ondaatje)
6. Each night she climbed into the khaki ghostline of hammock she had taken from a dead soldier, someone who had died under her care. (M. Ondaatje)
7. “Gerry, I didn’t know the real you. I’m sorry if I was a beast to you.” (D. Robbins)
8. There was no justice for men, for they were ever in the dark! (J. Galsworthy)
9. They walked down a corridor, dark, smelly and sinister. (M. Ondaatje)
10.Mr. Bannock had a one-man office and I did all of the typing. (E. S. Gardner)
11.Before, when it had been cold, they had had to burn things. (M. Ondaatje)
12.He was out most evenings now, usually returning a few hours before dawn. (M. Ondaatje)
13.His eyes took in the room before they took her in, swept across it like a spray of radar. (M. Ondaatje)
14.Julian Bannock interrupted her by shaking his head. (E. S. Gardner)
15.And she has seen, he knows, even though now he is naked, the same man she photographed earlier in the crowded party, for by accident he stands the same way now, half turned in surprise at the light that reveals his body in the darkness. (M. Ondaatje)
16.As he repeatedly kicked the twisted metal, Langdon recalled his earlier conversation with Sophie. (D. Brown)
17.Virginia, looking at the carbon copies now ragged at the edges from the gnawing of mice, thinking of the care she had taken with those papers when she had typed them, felt like crying. (E. S. Gardner)
18.I made it pretty clear that there was to be no nonsense about it. (B. Shaw)
19.He was suddenly aware that she had a good deal more than a pretty face and a good figure. (A. Hailey)
20.It was a huge bedroom with rose tapestry, indirect lighting, a king-sized bed with a telephone beside it, half a dozen comfortable chairs, an open door to a bathroom and another door leading to the corridor. (E. S. Gardner)

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